tag:blogger.com,1999:blog-220058762024-03-13T10:10:33.423-07:00La Oficina PlásticaLA OFICINA PLÁSTICA De Xosé Moreda e Ignacio Barrientos ** Una idea de arte originada en Madrid en 1991 ** Xams sigue su trabajo en Cuenca - España. Ignacio en Niebla - Chile. En Portada: Esculturas de XAMS en su tallerIgnacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comBlogger131125tag:blogger.com,1999:blog-22005876.post-18257635894783404662020-08-02T11:11:00.002-07:002020-08-09T17:41:54.939-07:00La Relojería & Juguetería de XAMS<div class="MsoNormal">
<span style="font-size: 14.0pt; line-height: 115%;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Tengo el agrado de presentar la exposición virtual
del taller de Xams. Jesús Alberto Moreda
Suarez es simplemente Xams, mi amigo y maestro de arte en los intensos años 90 en Madrid. <o:p></o:p></span></span></div>
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<span style="font-size: 14.0pt; line-height: 115%;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Después de
20 años nos reencontramos en Cuenca, Castilla La Mancha en el viaje de 2018. De
ahí nos dirigimos a Caracenilla distante
50 km. donde vive actualmente.</span></span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14pt;"> A unos cien metros de su vivienda Xams tiene su taller
instalado en un antiguo galpón que compró luego de su retirada estratégica de
Madrid.</span></div>
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<span style="font-size: 14.0pt; line-height: 115%;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Me
impresionaba la precisión y el orden con que Xams utilizaba el pequeño espacio
con que contaba en la ciudad, por eso le llamé a su espacio La Relojería .
Ahora en esta nave puede desplegar en desconcierto todos sus
juguetes. Hablo de juguetería por el
espíritu lúdico y el humor que hay en
muchas de sus obras. Ellas
también aluden a un mundo primitivo y a la vez a una vanguardia espacial que recicla el plástico circundante. En su taller en <i>un remoto lugar de La Mancha</i>, Xams sigue investigando y
transformando la materia y va revelando nuevos seres, objetos y paisajes del planeta Arte.<o:p></o:p></span></span></div>
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<span style="font-size: 14.0pt; line-height: 115%;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Reabrimos
para esta muestra de Xams nuestra vieja
y querida Oficina Plástica. Bienvenidos</span><o:p></o:p></span></div>
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<br />Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-50225439064554103522016-09-15T09:16:00.003-07:002020-08-02T11:02:14.822-07:00Jan Gehl: “Una ciudad viva siempre está en construcción”<br />
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l <br />
<span style="font-family: Verdana, sans-serif;"> Jan Gelh instaló En Copenhagen la zona peatonal </span><br />
<span style="font-family: Verdana, sans-serif;"> más grande de Europa</span><br />
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<span style="background-color: white; letter-spacing: 0.496px; line-height: 43.008px;"><span style="font-family: "verdana" , sans-serif;"><b>Este danés es una estrella de la arquitectura mundial que defiende con su obra la sostenibilidad de las grandes metrópolis. Artífice de desafíos como peatonalizar Broadway, en Nueva York, ha convertido en cruzada su defensa de un urbanismo donde las personas, y no los automóviles, tomen las calles.</b></span></span><br />
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<span style="font-family: "verdana" , sans-serif;">En la última década, el urbanista Jan Gehl y su equipo de 50 arquitectos han retirado los coches del centro de Moscú, Melbourne o Shanghái. El pabellón danés de la vigente edición de la Bienal de Venecia, dedicado a la dimensión humana en la arquitectura, ha rendido homenaje al autor de más de 30 libros que defienden la reconquista ciudadana de las calles<br /><br />El despacho de Gehl Architects en Copenhague ocupa un piso alto en un edificio antiguo. En el patio se acumulan las bicicletas. Tras las escaleras de madera, mobiliario danés, transparencia y luz, aunque parezca imposible con la lluvia azotando la calle. En una de las aulas, cerrada por un tabique de vidrio, está reunido Gehl. A punto de cumplir 80 años, maneja su tableta como un adolescente. En torno a la mesa, un grupo numeroso tiene que sentarse en dos filas. Sonríen. La media de edad no supera los 25 años. Sé que la reunión ha concluido porque todos aplauden.</span><br />
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<span style="font-family: "verdana" , sans-serif;"> <b> Broadway, paseo peatonal. NY.</b></span><br />
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<span style="font-family: "verdana" , sans-serif;"><a href="http://elpaissemanal.elpais.com/documentos/jan-gehl/">http://elpaissemanal.elpais.com/documentos/jan-gehl/</a></span></div>
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Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-15993629215028244812016-07-14T19:29:00.004-07:002016-07-14T19:31:29.259-07:00DAVID HOCKNEY - Portraits
<iframe width="420" height="315" src="https://www.youtube.com/embed/8Q6EDx-Q1lM" frameborder="0" allowfullscreen></iframe>Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-37404269193628578932016-07-10T16:09:00.002-07:002016-07-11T11:18:05.288-07:00HIM RIVERA: Sismógrafo<br />
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<span style="line-height: 107%;"><span style="font-family: "verdana" , sans-serif;">Him me ha
enviado fotos de su “Sismográfo” un artefacto iniciado en año 93 y
continuado recientemente. Me ha comentado por teléfono que este era el <i>Sismógrafo del amor</i> porque se trataba de
un objeto que se conecta a la cama de los amantes y registra sus movimientos. Los alambres rozan la <i>pantalla-pizarra</i> de plástico negro y
hace marcas en ella. Se hace claro con esta obra que para Him, <i>el amor mueve al mundo</i> y que esto se puede
comprobar de manera directa con la más simple tecnología. La pantalla y los dibujos (los alambres se
pueden ver como dibujos) se asocian a recursos pedagógicos. Es que River Him
está dando una clase de erótica.</span></span><br />
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<span style="line-height: 107%;"><span style="font-family: "verdana" , sans-serif;">Uno de los alambres me recuerda el reloj
derretido de Dalí. La dimensión temporal se suma la obra y podríamos con esto seguir
hablando de todo un universo.</span><o:p></o:p></span></div>
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<span style="line-height: 107%;"><span style="font-family: "verdana" , sans-serif;">Agregó que
fue comenzada en su etapa “acida” y que estaría bien decirlo porque: “No hay
que olvidar de dónde venimos..."</span><o:p></o:p></span></div>
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<span style="line-height: 107%;"><span style="font-family: "verdana" , sans-serif;">Para terminar el testimonio de Him: <o:p></o:p></span></span></div>
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<span style="line-height: 107%;"><i><span style="font-family: "verdana" , sans-serif;">..Si supiera
lo que es el arte,<o:p></o:p></span></i></span></div>
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<span style="line-height: 107%;"><i><span style="font-family: "verdana" , sans-serif;">para mí no
tendría misterio<o:p></o:p></span></i></span></div>
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<span style="line-height: 107%;"><span style="font-family: "verdana" , sans-serif;"><i>y no lo haría!!</i>!</span><span style="font-size: 14pt;"><o:p></o:p></span></span></div>
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Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-73171387771013627082016-05-20T09:40:00.000-07:002016-06-02T13:41:52.849-07:00ANISH KAPOOR<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/x7sx0zsUjP4" width="460"></iframe><br />
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<span style="font-family: Verdana, sans-serif;">Anish Kapoor es uno de los artistas que más me influyo en los 90´.</span><br />
<span style="font-family: Verdana, sans-serif;">Vi varias de sus exposiciones y traté de estar lo más cerca posible de sus obras.</span><br />
<span style="font-family: Verdana, sans-serif;">Cosmos, misterio, espacio- iempo, materia-no materia, color, son conceptos de</span><br />
<span style="font-family: Verdana, sans-serif;"> máximo interés que con él comparto.</span><br />
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<br />Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-38236078393548303212016-05-04T12:51:00.003-07:002016-05-20T09:51:57.033-07:00Tras Los Pasos de Wyeth<br />
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<span style="font-family: "verdana" , sans-serif;">Joséphine Douet, tras los pasos de Wyeth</span></h1>
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<span style="font-weight: normal;"><span style="font-family: "verdana" , sans-serif;">La
fotógrafa francesa recorre los lugares que inspiraron la obra del pintor
Andrew Wyeth en una exposición que se muestra en el Museo Thyssen</span></span></h2>
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<span style="font-weight: normal;"><span style="font-family: "verdana" , sans-serif;"> </span></span></h2>
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<span style="font-weight: normal;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: small;"> Siendo una niña <a href="http://www.josephinedouet.com/">Joséphine Douet</a>
conoció la obra del pintor Andrew Wyeth a través de un catálogo que su
madre, también pintora, había comprado en uno de sus viajes a Estados
Unidos. El inquietante silencio que desprende la obra del norteamericano
impresionó ya entonces a esta fotógrafa, procedente del mundo de la
moda y de la fotografía taurina, quien decidió adentrarse en el
desasosegante universo del controvertido artista a través de su cámara.
Así, viajó a Chadds Ford, un pueblecito de Pensilvania, allí donde Wyeth
nació, murió y creó gran parte de su obra.</span></span></span></h2>
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<span style="font-weight: normal;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: small;"><a href="http://cultura.elpais.com/cultura/2016/04/27/babelia/1461758948_421981.html"><span style="font-size: x-small;">http://cultura.elpais.com/cultura/2016/04/27/babelia</span>/1461758948_421981.html</a> </span></span></span></h2>
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<span style="font-family: Verdana, sans-serif; font-size: x-small;">Fotografía de Joséphine Douet</span></div>
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<span style="font-weight: normal;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: small;"><b> Andrew Wyeth</b></span></span></span></h2>
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Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-80852032239282864042016-05-01T12:04:00.002-07:002016-05-04T13:14:01.016-07:00OLGA ALBIZÚ<br />
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<span style="font-family: "verdana" , sans-serif;"><b> Pintura de Olga Albizú en la cubierta del disco Getz//Gilberto 64</b></span><br />
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<span style="font-family: "verdana" , sans-serif;"><b> <span style="font-family: "verdana" , sans-serif;">Getz/Gilberto 76 (2016)</span></b></span><br />
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<h1 class="firstHeading" id="firstHeading" lang="es" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-size: 1.8em; font-weight: normal; line-height: 1.3; margin: 0px 0px 0.25em; overflow: visible; padding: 0px;">
<span style="font-family: "verdana" , sans-serif;">Olga Albizu</span></h1>
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<span style="font-family: "verdana" , sans-serif;"><b style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;">Olga Albizu</b><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;">, nacida en </span><a href="https://es.wikipedia.org/wiki/1924" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="1924">1924</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;"> en </span><a href="https://es.wikipedia.org/wiki/Ponce" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="Ponce">Ponce</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;"> , Puerto Rico y fallecido el </span><a href="https://es.wikipedia.org/wiki/30_de_julio" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="30 de julio">30 de julio</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;"> de </span><a href="https://es.wikipedia.org/wiki/2005" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="2005">2005</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;"> en</span><a href="https://es.wikipedia.org/wiki/Nueva_York" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="Nueva York">Nueva York</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;"> , fue una </span><a class="mw-redirect" href="https://es.wikipedia.org/wiki/Pintora" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="Pintora">pintora</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;"> del </span><a href="https://es.wikipedia.org/wiki/Expresionismo_abstracto" style="background: none rgb(255, 255, 255); color: #0b0080; font-size: 14px; line-height: 22.4px; text-decoration: none;" title="Expresionismo abstracto">Expresionismo abstracto</a><span style="background-color: white; color: #252525; font-size: 14px; line-height: 22.4px;">.</span></span></div>
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<span style="font-family: "verdana" , sans-serif;">Nació y creció en <a href="https://es.wikipedia.org/wiki/Puerto_Rico" style="background: none; color: #0b0080; text-decoration: none;" title="Puerto Rico">Puerto Rico</a>, donde estudió pintura con el pintor español <a href="https://es.wikipedia.org/wiki/Esteban_Vicente" style="background: none; color: #0b0080;" title="Esteban Vicente">Esteban Vicente</a> de 1943 al 1947. Recibió el título de <a href="https://es.wikipedia.org/wiki/Bachelor_of_Arts" style="background: none; color: #0b0080; text-decoration: none;" title="Bachelor of Arts">B.A.</a> en la <a href="https://es.wikipedia.org/wiki/Universidad_de_Puerto_Rico" style="background: none; color: #0b0080; text-decoration: none;" title="Universidad de Puerto Rico">Universidad de Puerto Rico</a> en 1946.</span></div>
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<span style="font-family: "verdana" , sans-serif;">Se trasladó a la ciudad de <a href="https://es.wikipedia.org/wiki/Nueva_York" style="background: none; color: #0b0080; text-decoration: none;" title="Nueva York">Nueva York</a> como parte de un intercambio de trabajo de postgrado en la <a class="new" href="https://es.wikipedia.org/w/index.php?title=Art_Students_League_of_New_York&action=edit&redlink=1" style="background: none; color: #a55858; text-decoration: none;" title="Art Students League of New York (aún no redactado)">Art Students League</a> en <a href="https://es.wikipedia.org/wiki/1948" style="background: none; color: #0b0080; text-decoration: none;" title="1948">1948</a>. Tras esto, siguió su formación en Europa, continuando estudios en la <a href="https://es.wikipedia.org/wiki/Acad%C3%A9mie_de_la_Grande_Chaumi%C3%A8re" style="background: none; color: #0b0080; text-decoration: none;" title="Académie de la Grande Chaumière">Académie de la Grande Chaumière</a> de <a href="https://es.wikipedia.org/wiki/Par%C3%ADs" style="background: none; color: #0b0080; text-decoration: none;" title="París">París</a> y en la<a href="https://es.wikipedia.org/wiki/Galer%C3%ADa_de_la_Academia_de_Florencia" style="background: none; color: #0b0080; text-decoration: none;" title="Galería de la Academia de Florencia">Accademia di Belle Arti</a> de <a href="https://es.wikipedia.org/wiki/Florencia" style="background: none; color: #0b0080; text-decoration: none;" title="Florencia">Florencia</a>.</span></div>
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<span style="font-family: "verdana" , sans-serif;">Posteriormente, pasó un año pintando en la <a href="https://es.wikipedia.org/wiki/Provenza" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-decoration: none;" title="Provenza">Provenza</a>, como habían hecho otros pintores anteriormente, entre ellos <a class="mw-redirect" href="https://es.wikipedia.org/wiki/Van_Gogh" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-decoration: none;" title="Van Gogh">Van Gogh</a> y <a class="mw-redirect" href="https://es.wikipedia.org/wiki/C%C3%A9zanne" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-decoration: none;" title="Cézanne">Cézanne</a>. En <a href="https://es.wikipedia.org/wiki/1953" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-decoration: none;" title="1953">1953</a> regresó a <a href="https://es.wikipedia.org/wiki/Nueva_York" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-decoration: none;" title="Nueva York">Nueva York</a>.<sup class="reference" id="cite_ref-1" style="line-height: 1em; unicode-bidi: isolate; white-space: nowrap;"><a href="https://es.wikipedia.org/wiki/Olga_Albizu#cite_note-1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; text-decoration: none;">1</a></sup></span></div>
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<span style="font-family: "verdana" , sans-serif;"><b>Sin datos específicos para los cuadros.</b></span><br />
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<span style="font-family: "verdana" , sans-serif;"><b><br /></b></span>Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-9013647750187249902016-02-08T14:10:00.001-08:002016-02-08T14:15:24.518-08:00LA PINTURA DE IGNACIO BARRIENTOS<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><br /></b></span>
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b>Muestra Virtual de la Serie Figurativa</b></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b> Marzo 2016</b></span><br />
<span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><br /></b></span><span style="font-family: "courier new" , "courier" , monospace; font-size: large;"><b><a href="http://www.ib-estudioenrojo.blogspot.com/">www.ib-estudioenrojo.blogspot.com</a></b></span>Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-21482072131459106872016-01-19T10:50:00.001-08:002016-01-19T11:38:39.896-08:00ALEJANDRO ARAVENA , ¿Mi filosofía arquitectónica? Incluir a la comunidad en el proceso<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/o0I0Poe3qlg" width="460"></iframe><br />
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<span style="font-family: "courier new" , "courier" , monospace;"><b>Desde <i>Passing Journal</i></b></span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"><b><i><br /></i></b></span>Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-43819825696221766642016-01-03T12:32:00.001-08:002016-01-19T11:10:01.582-08:00ELLSWORTH KELLY<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/sPn5ewOabb8" width="420"></iframe><br />
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<a href="http://cultura.elpais.com/cultura/2015/12/28/actualidad/1451320608_942851.html">
<span style="font-family: "verdana" , sans-serif; font-size: x-small;">http://cultura.elpais.com/cultura/2015/12/28/actualidad/1451320608_942851.html</span></a><br />
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<br />Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-40861138998560200122015-10-07T09:09:00.002-07:002015-10-07T09:55:12.226-07:00Idea Del Color En la Pintura De Ignacio Barrientos<iframe frameborder="no" height="100" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/227339078&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="50%"></iframe>
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<span style="font-family: Verdana, sans-serif;"><b>Charla con estudiantes de diseño de la UST en la clase del profesor Andrés Palacios</b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><br /></b></span><span style="font-family: Verdana, sans-serif;"><b> Serie La Luz En El Muro (2002)</b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><br /></b></span><span style="font-family: Verdana, sans-serif;"><b> <i> Sin título 2</i><br /><br /><br /><br /></b></span><span style="font-family: Verdana, sans-serif;"><b> Serie Demarcaciones (1993)</b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><br /></b></span><span style="font-family: Verdana, sans-serif;"><b> <i>Un Fantasma En La Máquina de La Pintura</i></b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><br /></b></span><span style="font-family: Verdana, sans-serif;"><b> <i> Parque Nocturno</i></b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><br /></b></span>Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-5727929490932468812015-09-14T12:46:00.002-07:002015-09-14T12:46:29.042-07:00Anupama Kundoo: "En Japón, hasta las bolsas de basura se anudan con arte"<br />
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<span style="font-family: Verdana, sans-serif;">La arquitecta Anupama Kundoo cree en la belleza como una herramienta para acabar con la miseria. Es la autora del famoso hogar para niños sin casa Volontariat, en India</span></h2>
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<span class="autor" style="border-right-color: rgb(214, 214, 214); border-right-style: solid; border-right-width: 1px; color: #757575; font-size: 11px; font-weight: bold; line-height: 16px; margin: 0px 6px 0px 0px; padding: 0px 5px 0px 0px; text-transform: uppercase;"><a href="http://elpais.com/autor/buena_vida/a/" rel="author" style="border-bottom-color: rgb(117, 117, 117); border-bottom-style: dotted; border-bottom-width: 1px; color: #757575; outline: none; text-decoration: none;" title="Ver todas las noticias de BuenaVida">MARÍA TALAVERA</a></span><span style="color: #757575; font-size: 11px; font-weight: bold; line-height: 16px; text-transform: uppercase;"> </span><a class="actualizado" href="http://elpais.com/tag/fecha/20150914" style="border-left-style: none; color: #757575; font-size: 11px; font-weight: bold; line-height: 16px; margin: 0px; outline: none; padding: 0px; text-decoration: none; text-transform: uppercase;" title="Ver todas las noticias de esta fecha"><span style="border-left-style: none; color: #757575; font-size: 11px; font-weight: bold; line-height: 16px; margin: 0px; outline: none; padding: 0px; text-decoration: none; text-transform: uppercase;"><span style="font-size: 11px; line-height: 16px; text-transform: uppercase;"><b>14 SEP 2015 - 14:25</b></span></span><span style="border-left-style: none; color: #757575; font-size: 11px; font-weight: bold; line-height: 16px; margin: 0px; outline: none; padding: 0px; text-decoration: none; text-transform: uppercase;"><span style="font-size: 11px; line-height: 16px; text-transform: uppercase;"><b> </b></span></span><abbr style="border-left-style: none; color: #757575; font-size: 11px; font-weight: bold; line-height: 16px; margin: 0px; outline: none; padding: 0px; text-decoration: none; text-transform: uppercase;" title="Central European Summer Time">CEST</abbr></a></div>
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Como si de bizcochos se tratara, la arquitecta de origen indio Anupama Kundoo también hornea a fuego lento algunas de las casas que construye. Utiliza una técnica poco frecuente. En 1983 el artista Ray Meeker se encontró un manuscrito en Auroville, una población a 10 kilómetros del municipio de Puducherry, India. Escrito en farsi, revelaba el procedimiento para construir in situ una casa de barro, un método que había sido desarrollado por el arquitecto iraní Nader Khalili. Así está construido el hogar para niños sin casa Volontariat en Pondichery, uno de los experimentos más inusuales y radicales de Kundoo.</div>
<span class="firma" style="float: left; font-weight: bold; text-align: justify; width: 500px;"><span style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; line-height: 20px; text-transform: none;">Con carbón y arcilla, sin necesidad de madera, se hace un fuego dentro de una estructura abovedada levantada de barro que funciona como un horno y que será el propio muro de la vivienda. Durante tres o cuatro días se somete la estructura a 960º hasta conseguir que la casa quede resistente. En el interior se cuecen además ladrillos y azulejos que se utilizarán para completar la construcción. Un proyecto social que se caracteriza, como todas las obras de Kundoo, por su enfoque en la investigación de materiales y la experimentación hacia una arquitectura de bajo impacto ambiental, que se ajuste al contexto socioeconómico y sea sostenible en todos sus aspectos: socialmente comprometida, artesanal y atendiendo al contexto, es decir, arquitectura de ‘kilómetro 0’.</span><span style="font-family: Verdana, sans-serif;"><span class="autor" style="border-right-color: rgb(214, 214, 214); border-right-style: solid; border-right-width: 1px; margin: 0px 6px 0px 0px; padding: 0px 5px 0px 0px;"></span></span></span><span class="firma" style="float: left; font-weight: bold; width: 500px;"><br /></span><span class="firma" style="float: left; font-weight: bold; width: 500px;"><a href="http://elpais.com/elpais/2015/09/08/buenavida/1441722574_260261.html">http://elpais.com/elpais/2015/09/08/buenavida/1441722574_260261.html</a></span></div>
Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-58689516329638476722015-08-21T20:34:00.001-07:002015-08-21T20:35:45.291-07:00DAVID HOCKNEY (otra vez)<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/oqDwBXG_EdU" width="420"></iframe><br />
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<br />Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-14863378146336595522015-07-29T19:37:00.001-07:002015-08-21T20:39:36.953-07:00Nakaban & Takeo Toyama<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/1M8FJZJ67-o" width="420"></iframe><br />
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<br />Ignacio Barrientos F.http://www.blogger.com/profile/06351619508026028709noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-20704692366003692712015-06-29T10:14:00.001-07:002015-06-29T10:15:07.215-07:00SEAN SCULLY 4
<iframe width="460" height="315" src="https://www.youtube.com/embed/I_dCBuv_w_s" frameborder="0" allowfullscreen></iframe>Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-85346958763327754222015-06-01T15:48:00.003-07:002015-06-05T09:32:26.144-07:00 NAKABAN<br />
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<span style="font-family: Verdana, sans-serif;"><b><a href="http://rcc.recruit.co.jp/gg/artist/nakaban">http://rcc.recruit.co.jp/gg/artist/nakaban</a></b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b>Música: Takeo Toyama</b></span><br />
<br />Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-55769478863027451742015-05-28T09:07:00.003-07:002015-05-28T09:11:07.277-07:00MIQUEL BARCELÓ<br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Pintar Es Casi Siempre Hacer Cosas En Vano</span></div>
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<a href="http://cultura.elpais.com/cultura/2015/05/20/babelia/1432115174_659254.html"><span style="font-family: Verdana, sans-serif;"><b>http://cultura.elpais.com/cultura/2015/05/20/babelia/1432115174_659254.html</b></span></a></div>
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<br />Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-7376899427221453612015-05-07T18:13:00.001-07:002015-05-14T20:20:22.045-07:00MIKI MOCHIZUKA<br />
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><b><a href="http://miki.rocket3.net/">http://miki.rocket3.net/</a></b></span></div>
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<span style="font-family: Verdana, sans-serif; font-size: x-small;"><b><a href="http://www.misakoandrosen.com/en/exhibitions/10/08/works/03.html">http://www.misakoandrosen.com/en/exhibitions/10/08/works/03.html</a></b></span></div>
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<br />Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-90898473543636602602015-03-27T10:59:00.005-07:002015-03-27T11:07:48.923-07:00Nuevas Esculturas de Him Rivera<br />
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<span style="font-family: Verdana, sans-serif;"><b> De La serie <i>Del Pecado a lo Humano</i></b></span><br />
<span style="font-family: Verdana, sans-serif;"><b><i><br /></i></b></span>
<span style="font-family: Verdana, sans-serif;"><b><i> </i> (2014 - 2015)</b></span><br />
<br />Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-37723007664305541002014-10-08T16:49:00.002-07:002014-10-18T14:15:27.339-07:00Informe CHACO 2014 (No profesional)<br />
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<span style="font-family: Verdana, sans-serif;"> Flechas y engranaje de fieltro</span><br />
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<span style="font-family: Verdana, sans-serif;"> Lápices de colores sobre papel (como no)</span><br />
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<span style="font-family: Verdana, sans-serif;"> Alambres sobre muro</span><br />
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<span style="font-family: Verdana, sans-serif;"> Pintura sobre papel de Patricio Court, un viejo conocido.</span><br />
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<span style="font-family: Verdana, sans-serif;"><span style="background-color: white; color: #262626; font-size: 12px; line-height: 18px; text-align: center;">Grace Weinrib, Sin título. </span></span><span style="background-color: white; color: #262626; font-family: Helvetica, Arial, sans-serif; font-size: 12px; font-style: italic; line-height: 18px; text-align: center;">2011/2014, acrílico, fichas, fichero, cinta de enmascarar,</span><br />
<span style="background-color: white; color: #262626; font-family: Helvetica, Arial, sans-serif; font-size: 12px; font-style: italic; line-height: 18px; text-align: center;"> 17 x 14 x 14 cms.</span><br />
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<span style="background-color: white; color: #262626; font-size: 12px; font-style: italic; line-height: 18px;"><span style="font-family: Verdana, sans-serif;">Christian Vinck, Cuaderno Trinitario, 2014, óleo sobre tela, 25 x 20 cm. </span></span></div>
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<span style="background-color: white; color: #262626; font-size: 12px; font-style: italic; line-height: 18px;"><span style="font-family: Verdana, sans-serif;">******</span></span></div>
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<span style="font-family: Verdana, sans-serif;">Mi visita a la feria CHACO no es profesional, en el sentido
que no tengo objetivos específicos, ni un plan a cumplir. Sobre todo porque voy
con amigos y eso condiciona la visita al ritmo y al tiempo de los demás. Por
mucho cada cual haga dentro de la feria el recorrido que le interesa, al final
siempre hay un teléfono para decir aquí estoy…<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Mejor dejo la breve visita al azar, que de pronto puede
haber un buen encuentro.<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">No </span><span style="font-family: Verdana, sans-serif;"> </span><span style="font-family: Verdana, sans-serif;">vi muchos cuadros en la feria. Hay una
tendencia hacia el objeto de arte: Pequeñas esculturas, pequeñas instalaciones u objetos híbridos, también dibujo. Por cierto la
fotografía se consolida en este escenario.</span></div>
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<span style="font-family: Verdana, sans-serif;">Esta vez tomé pocas muy pocas fotos. No sé donde quedaron las que tomé a un
par de fotografías de atmósferas de gran formato. Una era de Tanger… Sólo el
color naranja del cielo. Estaba muy bien...<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Otra tendencia es a mostrar obras laboriosamente
confeccionadas y justamente son valoradas por eso. Dejan en evidencia el
esfuerzo del procedimiento, creo que eso las acerca a la artesanía. Como el homenaje al Jardín de las <i>Delicias</i> de un artista chileno. El montaje de imágenes es impresionante, pero
no puedo dejar de considerarlas efectistas.<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Había también distintos trabajos intermediados por tecnologías de impresión. No puedo dejar de
sentir distancia con ellos, dado que mi
propia obra es simplemente
directa.<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">La feria este año estaba mejor dispuesta, más espaciosa,
quizás había menos galerías o algo menos de público no lo sé…porque esta es
sólo una visita personal.<o:p></o:p></span></div>
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Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-50005365523096060812014-09-30T19:39:00.000-07:002014-09-30T19:39:03.596-07:00IMI KNOEBEL
<iframe width="460" height="315" src="//www.youtube.com/embed/LAmxpGjzRxI" frameborder="0" allowfullscreen></iframe>Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-25094463982684935572014-09-23T18:15:00.001-07:002014-09-23T18:16:12.290-07:00PINTURAS NO IDENTIFICADAS (2014)<b><span style="font-family: Verdana, sans-serif;">De IGNACIO BARRIENTOS</span></b><br />
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En: <a href="http://www.ib-estudioenrojo.blogspot.com/"><span style="font-family: Verdana, sans-serif;"><b>www.ib-estudioenrojo.blogspot.com</b></span></a><br />
<br />Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-55432876882608349212014-08-19T10:55:00.003-07:002014-08-20T16:13:14.586-07:00GERHARD RICHTER en su estudio<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/yF6EluMNR14" width="460"></iframe>
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<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/ExfNJDh4K1g" width="460"></iframe>Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-65365751670362532832014-08-03T12:36:00.001-07:002014-08-03T12:46:40.931-07:00Hello Michelle ( De Martín Sastre)<br />
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<a href="http://4.bp.blogspot.com/-BYKlTWGUPLo/U96OA6U-FBI/AAAAAAAAEsw/UDBCaQ-JaRI/s1600/bachelet1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-BYKlTWGUPLo/U96OA6U-FBI/AAAAAAAAEsw/UDBCaQ-JaRI/s1600/bachelet1.jpg" height="209" width="320" /></a></div>
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Artista uruguayo expone obra con Bachelet como “Hello Kitty”</h1>
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La obra forma parte de la exposición VIDEOCLUB Retrospectiva de Martín Sastre 2000- 2013, en la que además presenta otra controvertida obra llamada "U From Uruguay" para la cual creó una esencia aromática con flores cultivadas por el propio mandatario uruguayo.</div>
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<a href="http://www.elmostrador.cl/cultura/2014/08/01/artista-uruguayo-expone-obra-con-bachelet-como-hello-kitty/">http://www.elmostrador.cl/cultura/2014/08/01/artista-uruguayo-expone-obra-con-bachelet-como-hello-kitty/</a></div>
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Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.comtag:blogger.com,1999:blog-22005876.post-60679726568914982482014-07-13T15:41:00.000-07:002014-07-13T15:41:02.756-07:00JUAN USLÉ<br />
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<span class="fn url">Juan Uslé: "No he aprendido a pintar; y me alegro"</span></h2>
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Por: <strong class="fn" rel="author">Miguel Ángel García Vega</strong> <span class="date-header date-int updated" style="color: #9c355d; font-weight: bold;" title="2014-07-09T13:33+02:00">| <span class="day">09</span> de <span class="month">julio</span> de <span class="year">2014</span></span></div>
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<span class="date-header date-int updated" style="color: #9c355d; font-weight: bold;" title="2014-07-09T13:33+02:00"><span class="year"><span style="color: black; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; text-align: justify;">Hay que imaginarse la escena. Es de noche, las puertas están cerradas, las ventanas selladas con plástico y el lienzo de más de dos metros largos tendido en horizontal sobre la mesa del estudio. Silencio absoluto. Un latido del corazón. El bombeo de la sangre. Una línea sobre el lienzo. Un latido, la sangre, el trazo... Un gesto repetido centenares de veces, hasta completar la superficie. </span><strong style="color: black; font-size: 12.800000190734863px; line-height: 18px; text-align: justify;">Esta es la forma en la que <a href="http://elpais.com/buscador/" style="color: #9c355d; font-weight: normal; outline: none; text-decoration: none;" target="_self">Juan Uslé</a> (Santander, 1954), uno de los principales artistas contemporáneos españoles, concibe la que es su serie más rotunda: <em>Soñé que revelabas</em>.</strong><span style="color: black; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; text-align: justify;"> </span><strong style="color: black; font-size: 12.800000190734863px; line-height: 18px; text-align: justify;">Lienzos predominantemente negros y grises, en los que refleja desde la guerra de Irak a la tristeza de los días.</strong><span style="color: black; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; text-align: justify;"> Telas buscadas por los coleccionistas, de la que solo concibe dos o tres al año, que ahora llegan, tras pasar por el </span><a href="http://www.kunstmuseum-bonn.de/" style="color: #9c355d; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; outline: none; text-align: justify; text-decoration: none;" target="_self">Kunstmuseum de Bonn</a><span style="color: black; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; text-align: justify;">, al CGAC (</span><a href="http://cgac.xunta.es/ES" style="color: #9c355d; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; outline: none; text-align: justify; text-decoration: none;" target="_self">Centro Galego de Arte Contemporánea</a><span style="color: black; font-size: 12.800000190734863px; font-weight: normal; line-height: 18px; text-align: justify;">). </span><strong style="color: black; font-size: 12.800000190734863px; line-height: 18px; text-align: justify;">Veinte obras que evidencian que Uslé pinta desde la noche de los tiempos. Con razón ha llamado a esta muestra <em>Luz oscura</em>.</strong></span></span></div>
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<span class="date-header date-int updated" style="color: #9c355d; font-weight: bold;" title="2014-07-09T13:33+02:00"><span class="year"><strong style="color: black; font-size: 12.800000190734863px; line-height: 18px; text-align: justify;"><a href="http://blogs.elpais.com/con-arte-y-sonante/2014/07/juan-usle-no-he-aprendido-a-pintar-y-me-alegro.html">http://blogs.elpais.com/con-arte-y-sonante/2014/07/juan-usle-no-he-aprendido-a-pintar-y-me-alegro.html</a></strong></span></span></div>
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Ignacio Barrientoshttp://www.blogger.com/profile/12081787639871168087noreply@blogger.com